4,134 Royalty-Free Audio Tracks for "Compositions In D Minor"

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Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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J.S. Bach 'Bourree in E minor' (BWV 996)
Author: J.S. Bach
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Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate
Author: Untitled
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A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.
Author: Alton
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Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.
Author: Untitled
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Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.
Author: This file is lacking author information.
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Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.
Author: file & music: Created by Hyacinth (talk) 23:45, 17 December 2011 (UTC) using Sibelius 5. score: Igor Stravinsky
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Prime row form from Stravinsky's Requiem Canticles.
Author: Hyacinth
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Tone row with Schoenberg's initials preceded by remaining four notes.
Author: Hyacinth
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Tone row from Stockhausen's Klavierstück IX.
Author: Hyacinth
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Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.
Author: Hyacinth
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Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).
Author: Stockhausen
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Tone proportions of Studie I. I took F♮ as the starting point.
Author: Hyacinth
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Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Opus33 at English Wikipedia
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Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928
Author: Untitled
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Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928
Author: Untitled
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Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.
Author: Hyacinth at en.wikipedia
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, III. Finale (allegro vivacissimo) Concerto in D Major for Violin and Orchestra, Op. 35, III. Finale (allegro vivacissimo)
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, I. Allegro moderato Concerto in D Major for Violin and Orchestra, Op. 35, I. allegro moderato
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, II. Canzonetta (andante) Concerto in D Major for Violin and Orchestra, Op. 35, II. Canzonetta (andante)
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.
Author: Untitled
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Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company
Author: User:Mike Hayes
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Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.
Author: By Alton
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The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)
Author: Hyacinth
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Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP
Author: Untitled
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Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.
Author: Hyacinth
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